Volume 10 Issue 3 (September 2019)

Proceedings of the International Conference “From Art Nouveau to Futurism: Aesthetics, Poetics, Music Performance”

Research Articles

“Late Modernism” in the Music of the Late 20th and Early 21st Century: Some Observations

Tatiana V. Tsaregradskaya

8-27

About “Masculine — Feminine” Dichotomy in Alexander Scriabin’s Sonata No. 5 (On the Example of Motivic Metrics)

Sergey V. Grokhotov

28-45

From the History of Moscow Conservatory

Research Article

The Opening Ceremony of the Moscow Conservatory (September 1, 1866). An Attempt of Reconstruction

Grigory A. Moiseev

46-93

From the History of European Music

Research Articles

Theology of Bach’s Passions through Herzliebster Jesu by J. Heermann: Lutheran Theosis?

Roman A. Nasonov

94-105

“St. Mark’s Passion” from the Repertoire of J. S. Bach: the Sources, the Versions, Attribution

Anna K. Filippova

106-139

Franz Ludwig Marschner’s Scientific and Compositional Heritage

Denis G. Lomtev

140-157

General Theory of Art

Research Article

Claude Debussy and the Painters-Symbolists: on the Problem of Arabesque as a Form-Building Principle in Art

Elena V. Rovenko

158-189