Avant-garde Technique in the Conditions of Conflict Dramaturgy: "Confessiones" by Nikolai Korndorf

Abstract

The article discusses the role of avant-garde technique in the musical language of Nikolai Korndorf on the example of Confessiones for 14 instruments and tape recording (1979). Korndorf’s attitude to the avant-garde was not easy, but in certain cases he uses the avant-garde techniques. So, in the central section of Confessiones atonality, chromaticity, microchromatic, aleatoric, sonoric are combined. The extreme sections are close to Russian folk music. The result is a wave dramaturgy typical of Korndorf’s musical thinking. This is an example of the synthesis in the musical language of the composer of various technical methods, as a result, an individual style of the composer is created.

References

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