From the Epistolary Heritage of Ferruccio Busoni: Letters from the USA

Abstract

This publication is dedicated to the centenary of the death of Ferruccio Busoni (1866–1924). The letters constitute a large and significant part of the literary heritage of this 
musician-thinker. The purpose of the publication is to introduce the domestic reader to examples of his epistolary creativity and to attract the attention of Russian researchers to it. The article contains commented translations into Russian of 21 letters from Busoni to his wife Gerda Sjöstrand. The introductory section offers a brief overview of the history of the scientific community’s study of Busoni’s epistolary, most of which is still not available to the Russian-speaking audience. A generalized description of the content and stylistic features of this collection of documents gives grounds to assert that they go far beyond the scope of private correspondence and are of great importance for understanding the processes that took place in the musical art of the turn of the 19th and 20th centuries. The published letters refer to the first three months of 1910, during which the pianist made a concert tour of the United States. These are not only travel notes about nature, cities and people of the American continent, but reflections on various aspects of culture and art, initiated by external impressions. Busoni’s literary style is characterized by self-citing, and fragments of letters were often incorporated 
into articles. An example of this is the short essay “The Kingdom of Music” in our collection, which in poetic form expresses Busoni’s idea of the unity of musical art—it is defined by the author as an afterword to his programmatic aesthetic treatise—“Sketch for a New Aesthetics of Musical Art.”

References

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