Schumann and Liszt: Two Versions of the Paganini’s Sixth Caprice


The article considers the problems of piano transcription on the example of etudes after Pa¬ganini’s Caprices by Schumann and Liszt, provides a comparative analysis of etudes on Caprice No. 6, g-moll according to the following parameters: structure, texture, piano techniques, tempo-rhythmic organization, dynamics, articulation, fingering, pedalisation.