Volume 9 Issue 1 (March 2018)

History of Music Through Documents

Annotated Scholarly Edition

Guido d’Arezzo. Regulae rhytmicae

Sergey N. Lebedev

8-33

Problems of Music Theory

Research Articles

Stravinsky’s Oeuvre Viewed through a Historical Change of the Paradigm of the Art of Music

Konstantin V. Zenkin

34-53

“Rhythmic Tessitura” and “Tempo Transposition” of the Rhythm

Dmitry O. Chekhovich

54-83

From the History of Russian Music

Research Articles

“Might be Useful Later.” Student Exercises and Orchestrations by Tchaikovsky

Alexander V. Komarov

84-131

Composer/Conductor Igor Miklashevsky and Artist/Inventor Grigory Gidoni: The Story of an Exlibris

Olga V. Kolganova

132-147

Music and Philosophy

Research Article

Umberto Eco’s “Missing structure” and the New Problems of Aesthetic Communication of Contemporary Academic Music in the Context of Post-Structuralism

Azamat D. Khasanshin

148-163

General Theory of Art

Research Article

On Charles Baudelaire’s Conception of “Les Correspondances” and Musicality of Eugène Delacroix’ Oeuvre

Elena V. Rovenko

164-189