Volume 6 Issue 2 (June 2015)

Anniversaries of the Year: The 70th Anniversary of the Victory in the Great Patriotic War

Research Article

Vladimir Jurowsky’s Festival “Narratives with the Orchestra. War and Peace”. Listener’s Response

Inna A. Barsova

9-35

From the History of European Music

Research Articles

Madrigale Concertato: The New Poetic Forms in the Music of the Early Baroque Era Composers in the North Italia

Ksenia A. Nogovitsyna

36-73

Johann Heinrich Schmelzer’s Sonatae Unarum Fidium: Features of the Style and Performance Interpretation

Ekaterina M. Nazarova

74-99

Gregorian Sources in the Context of Anton Bruckner’s Musical Style. Small Church Vocal-Choral Works

Diana E. Lokotyanova

100-115

K. Stockhausen’s “Zodiac. 12 Melodies for Star Signs”: To an Aesthetics and the Theory of Formula Composition, the Polysemantic Form

Nadezhda A. Petruseva

116-133

Proceedings of the Conference “Celebrating the Tercentenary of C.P.E.Bach and Ch.W.Gluck”

Research Articles

Philosophical Reflections on Gluck’s Opera Reform

Stephan Lorenz Sorgner

134-149

“The Wicked Gods” (On the Extra-Musical Aspects of the Ch. W. Gluck’s Opera Reform)

Roman A. Nasonov

150-155

Music in the History of the Russian Avant-Garde

Research Articles

Daniil Kharms: Three Case StudiesThe article suggests the interpretation of three compositions by Kharms in which not only titles but also many details of the text indicate in a paradoxical way a certain musical prototype. In the Variations (1936) Kharms

Larissa L. Gerver

156-175

“Romantic Expressivity” vs. “NewObjectivity” Musical Performance in the Context of the Russian Avant-Garde Movement of the 1910s-1920s

Vladimir P. Tchinaev

176-191

From the History of Russian Music

Book Review

From the Universal to the Mass: The Otherness of Musical Classics in the Soviet Culture:

Olesya A. Bobrik

192-197