Volume 3 Issue 1 (March 2012)

Miscellanea

Review Article

Music at the Congress in Graz Meetings and cultural program

Larissa V. Kirillina

5-11

Musical Theatre

Research Articles

Sarti, Euripides, and the «Third Rome»

Larissa V. Kirillina

12-41

"La muette de Portici" and Its Social Meaning in France in the Twenties and Thirties of the 19th Century

Olga V. Zhestkova

42-53

On the Manuscript of the Final Chorus for Khovanshchina

Yaroslav I. Timofeev

54-91

A New Role of Chalumeau (about Intertextual Parallels to A. Lloyd-Webber’s Musical «The Phantom of the Opera»)

Elena Yu. Andruschenko

92-99

Early Music Performance

Research Article

On the Right Hand Fingerings in Lute Publications of Nicolas Vallet

Dimitri Yu. Goldobine

100-117

History of Music Through Documents

Annotated Scholarly Edition

Johann Joahim Quantz. Versuch einer Anweisung die Flöte traversiere zu spielen. Das V. Hauptstück. Von den Noten, ihrer Geltung, dem Tacte, den Pausen, und den übrigen musikalischen Zeichen

Ekaterina S. Dryazzhina

127-118

Organology

Research Article

The Traverso — on the History of the Instrument

128-137

The Modern Composition

Research Article

Where the Music Ends, Enters the Word… (Voice in Nikolai Korndorf’s Instrumental Works)

Evgenia I. Chigareva

138-147

Music and Cinema

Research Article

Classical music in Hollywood cinema

Konstantin N. Rychkov

148-169

Music and Aesthetics

Research Article

H. Bergson’s Intuitive Method: to a Problem of Methodology of the Humanitarian Disciplines

Elena V. Rovenko

170-205

Music Pedagogy

Editorial

The problem is still relevant

Ivan S. Starostin

206-207

Research Article

Music and School on the Threshold of New Century (1999)

Yury N. Kholopov

208-214