Volume 1 Issue 2 (September 2010)

Anniversaries of the Year: Geniuses of the Baroque: Schütz — Handel — Bach

Annotated Scholarly Edition

Ch. Burney. An Account of Musical Performances in Westminster Abbey, and the Pantheon, May 26th, 27th, 29th, and June 3rd and 5th, 1784, in Commemoration of Handel (Russian translation and comments by Anna Loseva)

5-51

Research Article

Two Views on Baby Christ: The Story of the Nativity Told by H. Schütz and J. S. Bach. Essay II. «Wie soll ich dich empfangen?»

Roman A. Nasonov

52-73

Musical Theatre

Research Articles

“Intermedij da Principi”: The Seven Prescriptions of Giovanbattista Strozzi the Younger

Julia A. Litvinova

74-105

Dance in the Italian Theater of Late Renaissance and Fabrizio Caroso’s Treatise “Nobilità di dame”

Alexandra E. Maximova

106-134

Notes on Drama Concept in Monteverdi’s Orfeo

Grigoriy I. Lyzhov

135-176

Between Eternal Values and Personal Foibles: Khovanshchina in Diaghilev’s Version

Yaroslav I. Timofeev

177-193

Bernd Alois Zimmermann on the Future of Ballet: An Attempt at Reform

Nadezhda V. Dontseva

194-203

From Romantic Music Drama toward Avant-Garde “Total Musical Theater”. Wagner — Stockhausen

Konstantin V. Zenkin

204-211

From the History of 20th-Century Music

Research Articles

Malipiero and Dallapiccola: On the History of New Music in the 20th Century Italy

Ekaterina S. Dubravskaya

212-229

Nono’s Serial Thinking Pattern: Analysis of the First and Second Parts of Il Canto Sospeso Cantata

Olga Yu. Ardelianu (Puz'ko)

230-244

Annotated Scholarly Edition

Siegfried Palm: Famous Cellist on New Music

Vasilisa P. Boykova

245-261

Reviews

Book Review

Word and Music: A New Perspective on the "Temptation of Comparison"

Galina I. Danilina

262-267