Volume 9 Issue 3 (September 2018)

Proceedings of the Conference “Source Criticism in the History of Performance Art”

Research Article

The Grand Dukes Romanovs’ Personal Diaries as a Musical and Historical Source (the 2nd Half of the 19th Century)

Grigory A. Moiseev

8-77

From the History of Russian Music

Research Articles

The Moscow Version of the Opera “Marriages Samnites” by A.-E.-M. Grétry

Alexandra A. Safonova

78–107

Beethoven — Schnittke: “Polystylistic Field” of Violin Cadenza

Galina V. Grigoryeva

108-119

From the History of Musicology

Research Articles

The European Modal System at the Turn of the 16th–17th Centuries: Signs of the New

Grigoriy I. Lyzhov

120–143

The International Congress of Musicology in New York (1939). Documents from the Correspondence of Organizers and Scholars

Jeanna V. Kniazeva

144–155

Music and Cinema

Research Article

The Films by Andrei Tarkovsky as the Objects of Audiovisual Quotations in Cinema

Julia V. Mikheeva

156–167

New Media Art

Research Article

The Artistic Precepts in Multimedia Works: Nikolai Popov and Todor Pozarev (on the Example of “Martellato” and “Artra”)

Valentina N. Kholopova

168-182