Volume 9 Issue 4 (December 2018)

Proceedings of the Conference “Source Criticism in the History of Performance Art”

Annotated Scholarly Edition

Wilhelm von Lenz. Die großen Pianoforte-Virtuosen unserer Zeit aus persönlicher Bekanntschaft. Carl Tausig

Sergey V. Grokhotov

8-33

From the History of Moscow Conservatory

Research Article

Dedicatory Inscription as a Primary Source

Irina V. Brezhneva

34-49

From the History of Russian Music

Research Articles

Ella von Schultz-Adaiewsky’s Operas (On the History of Russian Music Theatre in the 1870s)

Denis G. Lomtev

80-97

Lyric Stanza’s by Sergei Prokofiev: Five Songs Without Words, Op. 35

Elena A. Nikolaeva

98-107

Painting as Prototype of a Music Work: “Maud Lewis Smile” by Nikolai Korndorf

Evgenia I. Chigareva

108-117

From the History of European Music

Research Articles

Thomas Tallis: Numeric Secret of Name

Vladimir M. Barsky

118-131

On Catalogues of Figures in Baroque Music Theory

Anastasiya A. Maltseva

133-145

Issues of Musical Terminology

Research Article

Concept of Serial Music in Western and Russian Musicology: Issues of Terminology

Ekaterina G. Okuneva

158-173

Music Pedagogy

Research Article

Methodology of Synesthetical Ear Training in the Solfeggio Course

Marina V. Karaseva

174-185