Larissa L. Gerver

0000-0001-6796-3299

Biography

Doctor of Fine Arts, Full Professor of the Subdepartment of Analytic Musicology at Gnessins Russian Academy of Music

Affiliation

Gnesin Russian Academy of Music (Moscow, Russia)

Publications

Sergey I. Taneev’s Lessons of Counterpoint in the Music Books of Sergey V. Evseev
Stravinsky’s “Symphony of Psalms” as a “Song of Ascents”
Daniil Kharms: Three Case StudiesThe article suggests the interpretation of three compositions by Kharms in which not only titles but also many details of the text indicate in a paradoxical way a certain musical prototype. In the Variations (1936) Kharms
Alexander G. Chugaev as a Musicologist and a Teacher of Polyphony
The Poetry of Romances by Rakhmaninov and Medtner (Notes on the Subject)
Inganni in Girolamo Frescobaldi’s «Capriccio sopra Ut, Re, Mi, Fa, Sol, La» and «Capriccio sopra La, Sol, Fa, Mi, Re, Ut»
Is Metrotectonic Perfection Characteristic of Madrigals by Luca Marenzio?