From the History of 20th-Century Music

From the History of 20th-Century Music

Research Articles

Joseph Matthias Hauer: «an atonal minimalist»

Yuliya S. Veksler

50-61

The First Publication of Heinrich Schenker’s theory ("Der Geist musikalischen Technik", 1895)

Elena V. Lagutina

62-82

John Cage and the History of American Music

Olga B. Manulkina

83-97

Seventy-eight Days and Nights in Prison: Composer Mieczyslaw Weinberg

Inna A. Barsova

90-104

From the History of Soviet Music: The Plenum of the Union of Soviet Composers of the USSR in 1966, Devoted to Dodecaphony

Ekaterina S. Vlasova

107-121

Introduction to the Art of Boris Schloezer

Nina D. Sviridovskaya

137-153

Eric Satie’s “Socrate”: Musique d’ameublement or repetitive music?

Anastasia D. Selivanova

152-174

Variation on the Kazakh Theme: About Sergei Prokofiev’s Unfinished Opera "Khan Buzay"

Nadezhda A. Lobacheva

154-167

Luigi Dallapiccola: Tre Laudi (1936–37)

Ekaterina S. Dubravskaya

168-181

Jazz in Zimmermann’s works: polystilism or utopia of freedom?

Nadezhda V. Dontseva

175-200

Malipiero and Dallapiccola: On the History of New Music in the 20th Century Italy

Ekaterina S. Dubravskaya

212-229

Nono’s Serial Thinking Pattern: Analysis of the First and Second Parts of Il Canto Sospeso Cantata

Olga Yu. Ardelianu (Puz'ko)

230-244

“Post scriptum” as a Mode of Composer’s Utterance

Aleksandr S. Sokolov

354–367

Research Article

"The Dead City"… Bruges in the Novel by G. Rodenbach and in the Opera by E. W. Korngold

Yuliya S. Veksler

92-107

Electroacoustic Composition of Iannis Xenakis: on the Method of Analysis of a Graphic Score (on the Example of “Mycenae Alpha”)

Anna V. Stoyanova

178-193

Book Reviews

The Two Lives of Joseph Schillinger

Yuliya S. Veksler

160-170

Stravinsky after the Rite

Tatiana B. Baranova-Monighetti

171-179

Book Review

Until the iron curtain fell ...

Tamara N. Levaya

202-205

Annotated Scholarly Edition

Siegfried Palm: Famous Cellist on New Music

Vasilisa P. Boykova

245-261