Musical Theatre

Musical Theatre

Research Articles

Sarti, Euripides, and the «Third Rome»

Larissa V. Kirillina

12-41

"La muette de Portici" and Its Social Meaning in France in the Twenties and Thirties of the 19th Century

Olga V. Zhestkova

42-53

On the Manuscript of the Final Chorus for Khovanshchina

Yaroslav I. Timofeev

54-91

Opera as a Heart of “Gulyanie” (Festive Gathering): Moscow Versions of Grétry’s Opera-Comiques

Alexandra A. Safonova

64-107

“Intermedij da Principi”: The Seven Prescriptions of Giovanbattista Strozzi the Younger

Julia A. Litvinova

74-105

A New Role of Chalumeau (about Intertextual Parallels to A. Lloyd-Webber’s Musical «The Phantom of the Opera»)

Elena Yu. Andruschenko

92-99

Dance in the Italian Theater of Late Renaissance and Fabrizio Caroso’s Treatise “Nobilità di dame”

Alexandra E. Maximova

106-134

Topoi and Symbols in Rimsky-Korsakov’s Poetics

Larissa V. Kirillina

108-139

L. van Beethoven and F. V. Lopukhov: The Fourth Symphony ("The Greatness of the Universe") on the Ballet Stage

Danila V. Lyubimov

128–155

Notes on Drama Concept in Monteverdi’s Orfeo

Grigoriy I. Lyzhov

135-176

“Ariadne auf Naxos” by Richard Strauss and Hugo von Hofmannsthal: The History in Letters

Natalia O. Vlasova

140-175

Fathers and Daughters in Italian Operas Semiseria (to the Problem of Musical Sources of Verdi’s Interpretation)

Anastasia F. Korovina (Pospelova)

147-163

Narrative Strategies in Contemporary Opera: Case Study of the Gesualdo Story in the Works by Schnittke and Sciarrino

Ivanka Stoïanova

156-173

Andrew Lloyd Webber in the “Dialogues” with R. Wagner and G. Verdi (from the Works of the 1970–2000s)

Elena Yu. Andruschenko

164-177

The Limelight is Looking Towards Nowhere. Beyond Opera Performance

Marina V. Karaseva

176-201

Between Eternal Values and Personal Foibles: Khovanshchina in Diaghilev’s Version

Yaroslav I. Timofeev

177-193

Bernd Alois Zimmermann on the Future of Ballet: An Attempt at Reform

Nadezhda V. Dontseva

194-203

From Romantic Music Drama toward Avant-Garde “Total Musical Theater”. Wagner — Stockhausen

Konstantin V. Zenkin

204-211

Research Article

Prime donne of Rossini and Meyerbeer

Olga V. Zhestkova, Lilia A. Sadykova

150-175