Music and Cinema

Proceedings of the international scientific conference "Offscreen Art: History and Theory of Film Music"

Research Articles

On False Marker-Pointers: Musical Strategies in Films by Tarantino

Marina V. Karaseva

82-97

4D-Model of the Hollywood Film Music

Konstantin N. Rychkov

98-119

Hearing Sound as Music: on New Directions in Film Studies

James Wierzbicki

120-135

Music and Cinema

Research Article

Classical music in Hollywood cinema

Konstantin N. Rychkov

148-169

The Films by Andrei Tarkovsky as the Objects of Audiovisual Quotations in Cinema

Julia V. Mikheeva

156–167

On Richard Wagner’s Music in the Context of Werner Herzog’s Films: Regards the Dialog with Cultural Heritage of the Past

Maria A. Nevidimova

158-199

Wagnerism in Cinematography: Alexander Sokurov and Lars von Trier

Sergey A. Uvarov

176-191

«Star Wars» by G. Lucas and J. Williams: is Gesamtkunstwerk coming back?

Konstantin N. Rychkov

177-193

J. S. Bach’s Organ Choral Prelude “Ich ruf’ zu dir, Herr Jesu Christ” in the Transcription by E. Artemiev: The Trial of Comprehending “a Mystery of Holiness and God”

Konstantin A. Zhabinskiy

814–821