Music and Cinema

Proceedings of the international scientific conference "Offscreen Art: History and Theory of Film Music"

Research Articles

On False Marker-Pointers: Musical Strategies in Films by Tarantino

Marina V. Karaseva

82-97

4D-Model of the Hollywood Film Music

Konstantin N. Rychkov

98-119

Hearing Sound as Music: on New Directions in Film Studies

James Wierzbicki

120-135

Music and Cinema

Research Article

Classical music in Hollywood cinema

Konstantin N. Rychkov

148-169

The Films by Andrei Tarkovsky as the Objects of Audiovisual Quotations in Cinema

Julia V. Mikheeva

156–167

On Richard Wagner’s Music in the Context of Werner Herzog’s Films: Regards the Dialog with Cultural Heritage of the Past

Maria A. Nevidimova

158-199

Wagnerism in Cinematography: Alexander Sokurov and Lars von Trier

Sergey A. Uvarov

176-191

«Star Wars» by G. Lucas and J. Williams: is Gesamtkunstwerk coming back?

Konstantin N. Rychkov

177-193

Deciphering the Well-Known: Songs in Leonid Gaidai’s Films “The Diamond Arm” and “Ivan Vasilyevich Changes His Profession”

Darya A. Zhurkova

772–797

J. S. Bach’s Organ Choral Prelude “Ich ruf’ zu dir, Herr Jesu Christ” in the Transcription by E. Artemiev: The Trial of Comprehending “a Mystery of Holiness and God”

Konstantin A. Zhabinskiy

814–821