Volume 9 Issue 2 (June 2018)

Proceedings of the Conference “Source Criticism in the History of Performance Art”

Annotated Scholarly Edition

André Maugars. Response to an Inquisitive Person on the Italian Feeling about Music, Wrote in Rome on 1st October 1639

Roman A. Nasonov

8-37

Research Article

In Search of a Libretto. Anton Rubinstein’s Two Operas That Were Never Composed

Natalia O. Vlasova

38-65

From the History of Musicology

Research Article

Exams in Basel. Jacques Handschin’s Correspondence with Gustav Reese, Karl-Allan Moberg and Heinrich Besseler

Jeanna V. Kniazeva

66-81

From the History of Russian Music

Research Articles

The Problem of Authorship in Late Baroque Sacred Music (France — Russia)

Anna V. Bulycheva

82-93

Tchaikovsky as the Author of Piano Arrangements of His Own Compositions

Alexander V. Komarov

94-125

Composer, Pianist and Conductor David Geygner in the Far East: the Returned Name

Isabella I. Krylovskaya

126-149

From the History of Russian Performance Art

Research Article

“The Conservatory Was Left Behind, Ahead — the Philharmonic.” From the Memories of Mikhail P. Mchedelov

Marina M. Podguzova

150-161

Organology

Research Article

The «Enigmatic» Italian Musical Instrument of the Early 15th Century From the Metropolitan Museum Collection (in the Context of the West — East Interactions)

Margarita V. Esipova [Yessipova]

162-189