Baroque music

Proceedings of the Conference “Source Criticism in the History of Performance Art”

Annotated Scholarly Edition

André Maugars. Response to an Inquisitive Person on the Italian Feeling about Music, Wrote in Rome on 1st October 1639

Roman A. Nasonov

8-37

From the History of European Music

Research Articles

J. S. Bach’s Motet BWV 1083 as a Parody of Stabat Mater by G. B. Pergolesi

Anna S. Pastushkova

34-65

G. M. Artusi’s Attitude in the Controversy on Seconda Pratica: Values and Interests

Nadya S. Ighnatieva, Roman A. Nasonov

84-107

Northern German Spiritual Concert of the Second Half of 17th Century: on the Question of the Regional Tradition

Vitaly A. Zhdanov

137-153

Research Article

Restless Cosmopolitan or Classic of North German busic? Kaspar Forster the Younger (1616-1673) in the Mirror of Historical Evidence and Modern Research

Roman A. Nasonov, Vitaly A. Zhdanov

62-91

Anniversaries: Homage to Professor Mikhail A. Saponov

Research Articles

On the Term con discrezione and Its Derivates in Baroque Music

Alexei A. Panov, Ivan V. Rosanoff

48-63

Anniversaries of the Year: Geniuses of the Baroque: Schütz — Handel — Bach

Research Article

Two Views on Baby Christ: The Story of the Nativity Told by H. Schütz and J. S. Bach. Essay II. «Wie soll ich dich empfangen?»

Roman A. Nasonov

52-73

Research Articles

Two Views on Baby Christ: The Story of the Nativity Told by Schütz and Bach. Essay I. “...Ich verkündige euch große Freude”

Roman A. Nasonov

118-136

Anniversaries of the Year: Reformation 500th Anniversary

Annotated Scholarly Edition

Gottfried Heinrich Stölzel’s Sacred Cantatas in the Music Collection of the Dukes of Saxe-Gotha-Altenburg

Denis G. Lomtev

52-91