Proceedings of the Conference "Italian Music: from the Renaissance to the New Era"

Proceedings of the Conference "Italian Music: from the Renaissance to the New Era"

Editorial

"Italian Music: From the Renaissance to the New Era": Proceedings of Conferences

5

Research Articles

Marco Cara, musicus excellens at the Court of Mantua

Elena V. Pankina

6-17

Guarini’s Il pastor fido and Monteverdi’s Madrigals from the Fourth and Fifth books

Nadya S. Ighnatieva

18-33

Baldassare Galuppi and Russian Church Music

Ekaterina Yu. Antonenko

34-67

The collection of musical forms in Petrucci’s Laude libro primo and Laude libro secondo (1508)

48-73

To the Origins of the Venice Opera Buffa: Palomba’s "La Maestra" and Goldoni’s "La scuola moderna o sia la maestra di buon gusto"

Pavel V. Lutsker

68-83

Strumenti Antichi e Moderni in the Descriptions of Music Rooms of Agostino Amadi and Antonio Goretti (towards the Problem of the Sources’ Interpretation)

Julia A. Litvinova

74-119

The Poetical and Musical Rhythm in the Italian Melody: The Aspects of Relation from 16th to 19th Centuries

Pier Giuseppe Gillio

92-115

Inganni in Girolamo Frescobaldi’s «Capriccio sopra Ut, Re, Mi, Fa, Sol, La» and «Capriccio sopra La, Sol, Fa, Mi, Re, Ut»

Larissa L. Gerver

116-127

The Mystery of 'Jephte' (For the G. Carissimi’s Masterpiece in the Light of A. Kircher’s Musica Pathetica Theory)

Roman A. Nasonov

128-153