Volume 6 Issue 1 (March 2015)

Proceedings of the Conference “Anniversary of the masterpiece: Commemorating the Centenary of Igor Stravinsky’s The Rite of Spring”

Research Articles

How not to Hear Le Sacre du Printemps? Schoenberg’s Theories, Leibowitz’s Recording

8-35

Stravinsky at the Crossroads After The Rite: Jeu de Rossignol Mecanique (August 1, 1913)

36-47

The Rite of Spring and the Metamorphosis of Russian Scythianism

Tamara N. Levaya

48-57

Whose Idea Was The Rite?

Irina E. Sirotkina

58-69

The Rite of Spring: Study for a Portrait of Stravinsky as Stage Director

70-79

From the History of Russian Music

Research Article

On the “Instrumentation” in Skomorokhs’ Fairy-Tales from the Collection of G. Naumenko

Margarita N. Timofeeva

80-99

Problems of Music Theory

Research Articles

Towards New Methods of Tonal Melody Analysis (F. Schubert’s Songs)

Yuri K. Zakharov

100-119

Epistola by Guido: a Familiar Text on an Unfamiliar Cantus

Sergey N. Lebedev

120-145

Can Popevkas Be by Borodin? On the Appropriateness of Use of the Term Popevka Regarding the Music by Composers of the Modern Era

Anna V. Bulycheva

146-157

On the Musical Performance

Research Article

Schumann and Liszt: Two Versions of the Paganini’s Sixth Caprice

Olga P. Saigushkina

158-177