Skip to main content
Journal of Moscow Conservatory
Nauchnyy vestnik Moskovskoy konservatorii
ISSN 2079-9438 (print)
ISSN 2713-1807 (online)
Меню учётной записи пользователя
Log in
English navigation
Home
Current Issue
Archive
About
Editorial Policy
Editorial Ethics
Guide for Authors
Search
Search
The Modern Composition
The Modern Composition
Research Article
The Extended Instrumental Techniques. The Experience of Classification
Nikolay Yu. Khrust
124-143
Where the Music Ends, Enters the Word… (Voice in Nikolai Korndorf’s Instrumental Works)
Evgenia I. Chigareva
138-147
On the Tradition of One Masterpiece. “The Moonlight Sonata”: L.Beethoven — D.Shostakovich — V.Ryabov — V.Ekimovskiy
Tatyana V. Novikova
140-157
Dialogue With the Past in the Work of Mary Jane Leach: on the Path to Hearing
Kristina R. Agaronian
154-221
Innovations — Intution — Meaning: Vladimir Tarnopolsky’s «Foucault’s Pendulum»
Valentina N. Kholopova
160-174
Aleksey Sysoev’s “Selene”: To the Problem of Correlation of Ratio and Sensus
Svetlana A. Pasynkova
160-181
The Suite “Wailing” by Igor Vorobyov: Analysis and Interpretation
Nadezhda A. Petruseva
,
Valentina I. Kosyreva
164-183
Musical Faces of Post-Irony: «Sad Rayok» and «Forgotten Motives» by Mark Buloshnikov
Victoria A. Kozhevnikova
278-293
Revolt and Ambivalence: Music, Torture and Absurdity in the Digital Oratorio The Refrigerator
Paolo C. Chagas
536-555
On the Problem of Defining the Term “Electronic Music”
Dmitriy V. Sokolovskiy
540–557
Research Articles
Electroacoustic and Audiovisual Composition in the Work of Igor Kefalidis
Paolo C. Chagas
368–381
Extended Theory of Imitation and Canon, or New Methods of Transforming Proposta into Risposta
Sergei A. Zagny
382–403
Metaphysics of Sound Objects by Peter Ablinger
Svetlana V. Lavrova
736–751
The Сulture of Nü-shu in Tan Dun’s Symphony
Luo Xinjie
752-767