The Modern Composition

The Modern Composition

Research Article

The Extended Instrumental Techniques. The Experience of Classification

Nikolay Yu. Khrust

124-143

Where the Music Ends, Enters the Word… (Voice in Nikolai Korndorf’s Instrumental Works)

Evgenia I. Chigareva

138-147

On the Tradition of One Masterpiece. “The Moonlight Sonata”: L.Beethoven — D.Shostakovich — V.Ryabov — V.Ekimovskiy

Tatyana V. Novikova

140-157

Dialogue With the Past in the Work of Mary Jane Leach: on the Path to Hearing

Kristina R. Agaronian

154-221

Innovations — Intution — Meaning: Vladimir Tarnopolsky’s «Foucault’s Pendulum»

Valentina N. Kholopova

160-174

Aleksey Sysoev’s “Selene”: To the Problem of Correlation of Ratio and Sensus

Svetlana A. Pasynkova

160-181

The Suite “Wailing” by Igor Vorobyov: Analysis and Interpretation

Nadezhda A. Petruseva, Valentina I. Kosyreva

164-183

Musical Faces of Post-Irony: «Sad Rayok» and «Forgotten Motives» by Mark Buloshnikov

Victoria A. Kozhevnikova

278-293

Revolt and Ambivalence: Music, Torture and Absurdity in the Digital Oratorio The Refrigerator

Paolo C. Chagas

536-555

On the Problem of Defining the Term “Electronic Music”

Dmitriy V. Sokolovskiy

540–557

Research Articles

Electroacoustic and Audiovisual Composition in the Work of Igor Kefalidis

Paolo C. Chagas

368–381

Extended Theory of Imitation and Canon, or New Methods of Transforming Proposta into Risposta

Sergei A. Zagny

382–403

Metaphysics of Sound Objects by Peter Ablinger

Svetlana V. Lavrova

736–751

The Сulture of Nü-shu in Tan Dun’s Symphony

752-767